The installation performance "The Gap" creates a participatory, sensory space between the past, future, decline and renewal, and questions the collection and transmission of history(ies). The audience experiences a spatial journey through archiving, departure, and dissappearance. Music, video, and the performative handling of objects weave experiences into a whole, expressed in the final act by all musicians. "The Gap" encourages reflection on the past, future, and present.

In cooperation with Collegium Novum Zürich and Ensemble Contrechamps

For more information: https://the-gap.space/

The installation performance "The Gap" creates a participatory, sensory space between the past, future, decline and renewal, and questions the collection and transmission of history(ies). The audience experiences a spatial journey through archiving, departure, and dissappearance. Music, video, and the performative handling of objects weave experiences into a whole, expressed in the final act by all musicians. "The Gap" encourages reflection on the past, future, and present.

In cooperation with Collegium Novum Zürich and Ensemble Contrechamps

For more information: https://the-gap.space/

The installation performance "The Gap" creates a participatory, sensory space between the past, future, decline and renewal, and questions the collection and transmission of history(ies). The audience experiences a spatial journey through archiving, departure, and dissappearance. Music, video, and the performative handling of objects weave experiences into a whole, expressed in the final act by all musicians. "The Gap" encourages reflection on the past, future, and present.

In cooperation with Collegium Novum Zürich and Ensemble Contrechamps

For more information: https://the-gap.space/

The installation performance "The Gap" creates a participatory, sensory space between the past, future, decline and renewal, and questions the collection and transmission of history(ies). The audience experiences a spatial journey through archiving, departure, and dissappearance. Music, video, and the performative handling of objects weave experiences into a whole, expressed in the final act by all musicians. "The Gap" encourages reflection on the past, future, and present.

In cooperation with Collegium Novum Zürich and Ensemble Contrechamps

For more information: https://the-gap.space/

Saturday, 17 Mai 11h until Sunday, 18 Mai 11h, St. Elisabeth Kirche, Berlin

"A Room Full of Voices" – 24 hours of music and texts by female artists* – poetic, touching, contentious, and feminist!

Embedded in the social and artistic issues of our time, pianist Fidan Aghayeva Edler, together with Nina Guo and Mareike Hein, presents more than 100 works by female composers*, including 10 world premieres.

Following a very successful first 24-hour Female Composers Piano Marathon at the end of August 2024, the musical deep dive into the artistic works of female composers continues in round two at St. Elisabeth Church. Along with Nina Guo, soprano and performance artist, pianist Fidan Aghayeva-Edler and actress and visual artist Mareike Hein expand the spectrum of performed piano works to include the instrument of voice. For 24 hours, they create an echo space that connects contemporary piano music by women* with the performative aspects of voice and language. This includes the performative exploration of principles such as pause – melody – repetition – solo and duo – dissonance and harmony, but also questions about artistic perfection, authenticity, staging, solidarity, and carefeminist practice in the artistic field.

The oft-quoted demand by Virginia Woolf to provide female writers with a "room of their own" for undisturbed artistic work and a moderate but regular income so that they can successfully turn their talent into art, applies equally to female composers. With the piano marathon, Fidan Aghayeva-Edler, Nina Guo, and Mareike Hein create a "room of one's own" for the composers performed and for themselves during the 24 hours. With literary, performative, and discursive texts from the 20th and 21st centuries, quotes from manifestos and correspondence, poetry, and inspired by performance artists like Marina Abramović, Yoko Ono, or Meredith Monk, equipped with voice, pen, color, and their own bodies, the artists enter into a dialogue with the composers and their works – and with the audience.

Mindmap and artwork, performance and concert – the audience is invited to experience and contribute to this "room full of voices" for 24 hours.

Participants:

• Fidan Aghayeva-Edler: Pianist

• Nina Guo: Soprano and performance artist

• Mareike Hein: Actress and visual artist

• Teresa Reiber: Director

Tickets:

• 40 € (Support + CD)

• 30 € (Support)

• 22 € (Normal)

• 10 € Students, persons with disabilities, necessary companions, children, school pupils, recipients of basic income, plus fees or at the box office.
  Free seating. The ticket is valid for 24 hours and allows multiple entries. The box office is open until the end of the event.
  The venue is accessible. Assistance for people with mobility impairments can be arranged in advance.

For more information: www.aghayeva-edler.de

Saturday, 3 May 2025, La Comédie, Geneva (starting hour tba)

a collaborative journey through new works by HEM composer-performers Sam Alvarez, Elouen Hermand, Florencia Novoa de Ferrari, Sebastian Robles, and Ana Parejo Belando, with fragments of Katharina Rosenberger's "tempi agitati".

under de direction of Joshua Hyde and Katharina Rosenberger
 

Reliefs
L’existence des reliefs – des saillies sur une surface – précède toute beauté et toute émerveillement. Ces reliefs, qui sont l’opposé même de l’uniformité et de l’ennui, qui peuvent se trouver gravés sur tous les aspects de la réalité, mettent en valeur la singularité de chacun de ces aspects. Le froid met en valeur la chaleur ; le jaune met en valeur l’orange ; la fatigue le repos ; la force la faiblesse ; la consonance la dissonance ; et la perdition la retrouvaille.

La perdition – l’un des thèmes principaux du concert – met en relief l’état de s’être retrouvé. Il y a donc une sorte de beauté dans l’acte de chercher lorsqu’on est perdu et de continuer lorsqu’on ne sait pas où on va. Dans cette optique, vos propres histoires de vous être perdus feront partie du concert – elles seront enregistrées (avec votre participation libre), retravaillées et utilisées dans la dernière pièce du concert. Les autres pièces que nous joueront (des compositions et performances de Sam Alvarez, Elouen Hermand, Florencia Novoa de Ferrari, Sebastian Robles, Katharina Rosenberg, Ana Parejo Belando et des fragments madrigaux de Cipriano de Rore) agiront aussi sur le plan de la perte et la retrouvaille. Le concert sera toujours en mouvement, chaque pièce contrastant avec ce qui l’entoure. Mais tout fera partie d’une unité saillie, et deviendra, pour pas plus qu’une heure, les reliefs sonores sur la surface du temps.
(Texte: Sebatian Robles)

Reliefs
The existence of reliefs – projections on a surface – precedes all beauty and all wonder. These reliefs, which are the very opposite of uniformity and boredom, and which can be found etched into every aspect of reality, highlight the uniqueness of each of these aspects. Cold highlights warmth; yellow highlights orange; fatigue highlights rest; strength highlights weakness; consonance highlights dissonance; and loss highlights rediscovery.
To lose oneself – one of the main themes of the concert – emphasizes the state of having been found. There is, therefore, a kind of beauty in the act of searching when one is lost and continuing when one doesn't know where they are going. In this regard, your own stories of being lost will be part of the concert – they will be recorded (with your voluntary participation), reworked, and used in the final piece of the concert. The other pieces we will perform (compositions and performances by Sam Alvarez, Elouen Hermand, Florencia Novoa de Ferrari, Sebastian Robles, Katharina Rosenberg, Ana Parejo Belando, and madrigal fragments by Cipriano de Rore) will also work on the theme of loss and rediscovery. The concert will always be in motion, with each piece contrasting with what surrounds it. But everything will be part of a protruding unity and will become, for no more than an hour, the sonic reliefs on the surface of time.

Zvokotok in Poslušalnice 3

31. 3. ob 19:30, dvorana Julija Betetta, AG, Ljubljana

https://www.sploh.si/en/music/cycles/zvokotok/788

v sodelovanju z Akademijo za glasbo v Ljubljani
S podporo: The Swiss Arts Council Pro Helvetia

Simone Keller - klavir

Ruth Crawford Seeger (1901-1953): «Piano Study in Mixed Accents» (1930)
Johann Sebastian Bach(1685-1750) / György Kurtág (*1926):
«Aus tiefer Not schrei ich zu dir» BWV 687 (za klavir štiriročno)
Christophe Bertrand (1981-2010): «Haos» (2003)
György Kurtág: «Játékok / Flowers we are» (2003)
Thomas Adès (*1971): «Traced Overhead» (1995-96)
György Kurtág: «Játékok / The very last conversation with László Dörney» (1982)
Katharina Rosenberger (*1971): «ahom» (2002)
György Kurtág: «Játékok / In memoriam Maurice Fleuret» (1990)
Beat Furrer (*1954): «Voicelessness. The Snow Has No Voice» (1986)
Johann Sebastian Bach / György Kurtág:
«Gottes Zeit ist die allerbeste Zeit» BWV 106 (za klavir štiriročno)
Annea Lockwood (*1939): «RCSC» (2001)
 

Letošnji cikel Zvokotok snuje Urška Pompe.

Koncert poteka brez odmora in brez ploskanja med skladbami.

Friday, March 14, 2025, 7:30 PM
Skulpturhalle Basel, Mittlere Str. 17, 4056 Basel

Works for four trombones by Errollyn Wallen (Image), Katharina Rosenberger, Hilda Paredes, Elnaz Seyedi, Yiran Zhao, Liza Lim, Kroot-Kärt Kaev, Eda Er, Yvonne Desporter, Michèle Rusconi, and Adriana Hölszky.

Musicians:
Les trombones de bâle
www.lestrombonesdebale.com
Conducted by: Stephen Menotti

Concert Moderator: Gabrielle Weber

echoraum, Sechshauser Str. 66, 1150 Wien, 20h

...again and again...
Compositions by Joanna Wozny, Daniela Terranova, Katharina Rosenberger, Marta Gentilucci, Malin Bång, Andrés Gutiérrez and Beat Furrer.

https://www.ensemble-n.at/home

Freie Akademie der Künste, Hamburg, 19h

Hommage à Saarihao

Marcia Lemke-Kern – Sopran

Ensemble RADAR:

Martin Posegga – Saxophon
Johannes Öllinger – Gitarre
Felix Kroll – Akkordeon
Ninon Gloger – Klavier
John Eckhardt – Bass
Jonathan Shapiro – Schlagzeug
Sascha Lino Lemke – Elektronik

Programm:

Kaija Saariaho Six Japanese Gardens fpr percussion and electronics
I. Tenju-an Garden of Nanzen-ji Temple
II. Many Pleasures (Garden of the Kinkaku-ji)

Sascha Lino Lemke Arnautz tramet sa chanson für Klavier und Elektronik

Kaija Saariaho Du gick flög für Sopran und Klavier

Rebecca Saunders Flesh für Akkordeon

Beat Furrer Lotofagos für Sopran und Kontrabass

Katharina Rosenberger Modules

Kaija Saariaho Six Japanese Gardens fpr percussion and electronics

V. Moss Garden of the Saiho-ji

IV. Rock Garden of Ryoan-ji

Jaufre Rudel / Arr. Arrangement der Troubadour-Vorlagen von Lonh

Kaija Saariaho Lonh für Sopran und Elektronik

​​​​​​​RADAR Improvisation

Daniel / Arrangement Arrangement der Troubadourmelodie von Lo Ferm Voler

Sascha Lino Lemke Lo ferm voler für Sopran, Ensemble und Elektronik

Haus Eden, Königkstrasse 25, 23552 Lübeck, 20h

Hommage à Saarihao
 

Marcia Lemke-Kern – Sopran

Ensemble RADAR:

Martin Posegga – Saxophon
Johannes Öllinger – Gitarre
Felix Kroll – Akkordeon
Ninon Gloger – Klavier
John Eckhardt – Bass
Jonathan Shapiro – Schlagzeug
Sascha Lino Lemke – Elektronik

Programm:

Kaija Saariaho Six Japanese Gardens fpr percussion and electronics
I. Tenju-an Garden of Nanzen-ji Temple
II. Many Pleasures (Garden of the Kinkaku-ji)

Sascha Lino Lemke Arnautz tramet sa chanson für Klavier und Elektronik

Kaija Saariaho Du gick flög für Sopran und Klavier

Rebecca Saunders Flesh für Akkordeon

Beat Furrer Lotofagos für Sopran und Kontrabass

Katharina Rosenberger Modules

Kaija Saariaho Six Japanese Gardens fpr percussion and electronics

V. Moss Garden of the Saiho-ji

IV. Rock Garden of Ryoan-ji

Jaufre Rudel / Arr. Arrangement der Troubadour-Vorlagen von Lonh

Kaija Saariaho Lonh für Sopran und Elektronik

RADAR Improvisation

Daniel / Arrangement Arrangement der Troubadourmelodie von Lo Ferm Voler

Sascha Lino Lemke Lo ferm voler für Sopran, Ensemble und Elektronik

28. - 30. November 2025
Festival Limina, Salzburg
Masterclasse, Lecture and Performance

Friday, 28. November 21:00 - Solitär Mozarteum University 
Performance of Atchafalaya (Remix) with students and musicians of the Mozarteum University

further concerts by ensembles
NAMES, HYPERDUO, Neoquartet 

http://limina.moz.ac.at/program/
 

Broadcast "Musikfabrik im WDR 90", 20:00 - 22.00 Uhr

Recording from the concert October 3, 2024, at the WDR Broadcasting House at Wallrafplatz, Cologne.

https://www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-konzert/musikfabrik-im-wdr-90-100.html
The concert is available for replay for 30 days.

Program:

Agata Zubel – Chamber Piano Concerto (2018)
for piano(s) and ensemble

Nicolaus A. Huber – Seifenoper (OmU) (1989)
for ensemble

Gordon Kampe – Schnulzen (2019)
Premiere of the revised version (2024)
for ensemble

Katharina Rosenberger – Wälzung (2023/24)
Premiere
for two electric violins and ensemble
Commissioned by Ensemble Musikfabrik and Kunststiftung NRW

Benjamin Kobler, piano(s)
Sara Cubarsi, electric violin
Hannah Weirich, electric violin
Ensemble Musikfabrik
Brad Lubman, conductor

A production of Ensemble Musikfabrik in collaboration with WDR 3. The concert is made possible by funding from Kunststiftung NRW.

Host: Philipp Quiring  
Project Lead: Patrick Hahn

Musikfabrik im WDR 90, 20:00 Uhr
at the WDR Broadcasting House at Wallrafplatz, Cologne.

Agata Zubel – Chamber Piano Concerto (2018)
for piano(s) and ensemble

Nicolaus A. Huber – Seifenoper (OmU) (1989)
for ensemble

Gordon Kampe – Schnulzen (2019)
Premiere of the revised version (2024)
for ensemble

Katharina Rosenberger – Wälzung (2023/24)
Premiere
for two electric violins and ensemble
Commissioned by Ensemble Musikfabrik and Kunststiftung NRW

Benjamin Kobler, piano(s)
Sara Cubarsi, electric violin
Hannah Weirich, electric violin
Ensemble Musikfabrik
Brad Lubman, conductor

A production of Ensemble Musikfabrik in collaboration with WDR 3. The concert is made possible by funding from Kunststiftung NRW.

ERHÖRTES UNERHÖRTES, Rahlstedt, Hamburg

Frauke Aulbert (voc), Ninon Gloger (pno)

Music by Kurt Schwitters, Jennifer Walshe, Cathy Berberian, Giacinto Scelsi, Frauke Aulbert, Marcia Lemke-Kern, Katharina Rosenberger, François Sarhan and Gordon Kampe

Festival le bruit de la musique, 20h30 Domeyrot chapiteau

L’ensemble Lemniscate est un groupe de solistes internationaux profondément engagés dans la musique de notre temps. Depuis sa fondation en 2012, l’ensemble basé à Bâle a gardé ses oreilles et ses yeux proches du présent et a développé un dialogue fort avec la jeune scène de la nouvelle musique. Il défend l’idée que la musique créée aujourd’hui et la manière dont elle est présentée ne peuvent être détachées de notre vie contemporaine. Avec la philosophie de réaliser des projets audacieux et stimulants, l’ensemble vise à élargir l’appréciation de la musique contemporaine en Suisse et à l’étranger.

Tatiana Timonina (flûte), Azra Ramic (clarinettes), Mikołaj Rytowski (percussion), Felix Nagl (piano, clavier), Maria Muñoz (violon), Katarina Leskovar (violoncelle), Andreas Eduardo Frank (électroniques)

Programme 1 (à 17h30)

• Intervention I
• Ricardo Eizirik – In Steps (performance vocale pour 6 interprètes)
• Intervention II
• Svetlana Maras – Scherzo per Oscillatori (2022) · Synthétiseur solo
• Intervention III 
• Anna Sowa – nach dem Foto feiern wir weiter (2023)

Programme 2 (à 20h30)

• Katharina Rosenberger – Atchafalaya (Remix)
• Intervention IV
• Michael Maierhof – Shopping 4
• Intervention V
• Andreas Eduardo Frank – M0nster 3 (2024, Création)

Wacken (2023/24)
(Formerly "Wälzung")

Fanny Hensel Saal, MDW, Wien 16h45

Sonja Oberkofler (sax), Márk Seres (eg), Shiori Yoshino (keyboard), Samuel Toro Pérez (electronics)

Adapted Version Mai 2024
Design Sounds Keyboard - Felix Nagl
Sweeps - Manolo Müller
 

Festival blurred edges, 18:00 Uhr @GEDONK, Hamburg 

PIANO BREAKFAST CLUB

with Bernhard Fograscher, Jennifer Hyper, Daria-Karmina Iossifova, Teven Tanoto – piano, toy piano, toy instruments, performance

Bernhard Fograscher (piano) performs "ahom"

and music by
Georges Aperghis (1945) ‘Retrouvailles’ Nr. 1 (2013) für 2 Performers
Lisa Streich ‘Créche’ (2019) für Klavier solo
Lisa Streich ‘Cadenza’ aus ‘Laster’ (2018/9) für motorisiertes Klavier und Assistent
Steven Tanoto UA für Quartett
Katherina Rosenberger ‘Ahom’ für Klavier
Georges Aperghis (1945) ‘Retrouvailles’ (2013, Auswahl) für 2 Performers
Peter Ablinger (1959) ‘Voices & Piano‘ (1998- jetzt, Auswahl) für Klavier
Enno Poppe (1969) ‘Thema mit 840 Variationen’ (1993/7) für Klavier
Benjamin Scheuer (1987) ‘Merkwürdige Metamorphosen’ (2023) für Spielzeug Quartett 15’
Hanna Kulenty (1961) ‘VAN’ (2014) für Klavier vierhändig
Georges Aperghis (1945) ‘Retrouvailles’ Nr. 5 + 6 (2013) für 2 Performers

https://gedokhamburg.de/piano-beakfast-club-jennifer-hyper-daria-karmina-iossifova-16-6-2024/

Wacken (2023/24)
(Formerly "Wälzung")

Liszt Saal, MDW, Wien 11h00

Sonja Oberkofler (sax), Márk Seres (eg), Shiori Yoshino (keyboard), Samuel Toro Pérez (electronics)

Adapted Version Mai 2024 - Austrian Premier
Design Sounds Keyboard - Felix Nagl
Sweeps - Manolo Müller

Location: Wiener Konzerthaus, Berio-Saal, Vienna, Austria

Programm

Sarah Nemtsov
Sechs Zeichen für Cello und (präpariertes) Klavier, 2010

Mikel Urquiza
Opus Latericium für Flöte, Saxofon, Klarinette und Klavier, 2018

Katharina Rosenberger
wälzen, schieben, frachten für Streichtrio und Turntables (UA), 2023/24
Auftragswerk von PHACE

Victor Ibarra
Neues Werk (UA), 2023/24
Auftragswerk von PHACE, finanziert durch Sistema Nacional de Creadores de Arte (FONCA) Mexico

Jorge Sanchez-Chiong
Animal Smileys für Streichtrio und Elektronik, 2022

Website Ensemble Phace
https://phace.at/events/
 

Location: HfMT, Fanny Hensel-Saal, Hamburg, Germany, 19:30
 

VOCAL ACROBATICS - STIMME IN DER NEUEN MUSIK

Soundkaskaden, palatale Salti, Tierstimmen, Super*wo*man, Rock’n’Roll. In diesem - an der HfMT ganz neuen!- Seminar beschäftigten wir uns mit virtuos-circensischer zeitgenössischer Vokalakrobatik. Wir testeten uns durch die verschiedensten Gesangstechniken dieser Welt, vom Bulgarischen Frauenchorsingen über Beatboxen zu Growling. Unsere Ergebnisse zeigen wir an Hand ausgewählter Werke der aktuellen Musik, darunter Klassiker und Neuheiten.
Werke für Stimme solo (John Cage: ARIA, Luciano Berio: Sequenza III per voce femminile), Duo mit Klavier (z.B. Katharina Rosenberger: E.E. Cummings Miniatures, Wolfgang von Schweinitz: Papiersterne (Auszüge) u.a.)

For more information:
https://www.hfmt-hamburg.de/hochschule/aktuelles/veranstaltungen/11047-2024-02-14-vocal-acrobatics-stimme-in-der-neuen-musik

Location: TUFA, Grosser Saal, Trier, Germany, 18:00 Uhr

OPENING24 – ANSCHLÄGE + LUFTZÜGE

https://tufa-trier.de/events/anschlaege-luftzuege/

210 - Interview mit Katharina Rosenberger

Katharina Rosenberger spricht über ihren künstlerischen Weg und wie viele unterschiedliche Einflüsse und Ideen sie geprägt haben, wie es für sie als Frau war und welche Rolle sie jetzt als Hochschulprofessorin in Lübeck einnimmt. Sie spricht über neue Konzertformate und auch wie das Publikum auf Augenhöhe eingebunden wird. Dies prägt auch das von ihr mitbegründete Festival SONIC MATTER in Zürich, welches dieses Jahr vom 30.11-3.12.2023 stattfindet.

LISTEN:
https://neuemusikleben.podigee.io/210-neue-episode

Location: Burg Lichtenberg, Thalichtenberg, Deutschland

Eva Zöllner, Akkordeon
Stefan Kohmann, Schlagzeug

https://www.eva-zoellner.de/?lang=de
https://burglichtenberg.pfaelzerbergland.de

Location: Keramik-Museum Höhr-Grenzhausen, Deutschland

[Ge(H]ör)Gänge - Wandelkonzert mit Neuer Musik, Improvisation und Klangkunst

Eva Zöllner, Akkordeon
Stefan Kohmann, Schlagzeug

https://www.eva-zoellner.de/?lang=de

Location: Yehudi Menuhin Forum, Bern, Switzerland, 19:00

Arditti Quartet
Chammawet Ahawha

with works by Daniel Glaus, Katharina Rosenberger and Éliane Radigue

https://www.schweizerkulturpreise.ch/awards/de/home/musik/musik-archiv/musik-2023.html

Location: Impuls Akademie, Graz (details tba)

with Cantando Admont
https://www.cantando-admont.com

Aufzeichnungen eines Stimmlosen 
(no voice other than this pen...) 
Aus den Tagebuchaufzeichnungen von Mohammed al-Hamiri 

Die Komposition bezieht sich auf Gustav Mahlers Des Knaben Wunderhorns, „Lied des Verfolgtem im Turm“ (1898), dessen Ursprung wiederum auf dem Lied „Die Gedanken sind frei“ eines/einer unbekannten Verfasser*in des 18. Jahrhunderts gründet. Aufzeichnungen eines Stimmlosen wurde am 4. September 2020 an den Gustav Mahler Musikwochen in Toblach, Südtirol, durch das Vokalensemble Cantando Admont sowie Marco Sala (Bassklarinette), Mirko Jevtovic (Akkordeon) und Johannes Haase (Violine) uraufgeführt. 

In die Aktualität umgesetzt, thematisiert Aufzeichnungen eines Stimmlosen die unzulässigen Umstände von Verfolgungen und Freiheitsentzug von Menschen ohne richterliche Haftprüfung. Besonders in den USA sind Gefängnisse und kontroverse Inhaftierungen ein großes Thema und ein florierendes Geschäft. Mit den 9/11-Anschlägen in 2001 und sukzessiver politisch motivierter Propaganda zu Terroristenverfolgung und Angstmachung der Bevölkerung erlaubte sich die USA die rechtswidrige Internierung von hunderten von Menschen, welche teils bis heute in dem 2002 errichteten außerordentlichen Gefängnis Guantánamo festsitzen. Hier, unter unmenschlichen Bedingungen festgehalten, verloren die Gefangenen nicht nur ihre Freiheit, sondern auch ihre Stimme. 

Das Libretto besteht aus bearbeiteten Satzfragmenten von unterschiedlichen Berichten aus der Frankfurter Allgemeinen, Süddeutsche Zeitung, New York Times sowie von den Nachrichtensendern Al Jazeera und The Intercept. Letzterer veröffentlichte Ausschnitte aus den Tagebuchaufzeichnungen des jungen Jemeniten und Guantánamo Bay-Insasse Mohammed al-Hamiri*. In diesen Schriften und besonders in den Briefen an seine Mutter wird deutlich, dass den eingesperrten Terrorverdächtigen jegliche Rechte entzogen und viele ohne offizielle Anklage festgehalten wurden. Trotzdem lässt al-Hamiri seine Hoffnung nicht erdrücken. Seine Ausführungen sprechen von einer beispiellosen Stärke und Glauben auf ein Leben in Frieden und Glück. Al-Hamiri wurde 2015 nach 13 Jahren Gefangenschaft freigesprochen. 

*Hussain, Murtaza (2016), „Prisoner’s Letters Document Tragedy, Hope Inside Guantánamo“, The Intercept,18.04.2016, zuletzt aufgerufen 7. August 2020, https://theintercept.com/2016/04/18/trapped-guantanamo-letters-mohammed-al-hamiri/. Aus dem Englischen von Katharina Rosenberger.

Location: Frequenz Festival, Kiel, Germany

Side-by-side concert with student performers of the Musikhochschule Lübeck and Ensemble Recherche

Program:

Ricardo Eizirik exercise in metal II (UA)
for 4 performers and live-sound spatialization

Kristine Tjøgersen Seafloor Dawn Chorus 
fl, cl, perc, pn, vn, va, vc

Katharina Rosenberger Atchafalaya Remix 
bass-cl, perc, pn, va, vc + fixed media

Payman Mansouri new work (UA) 
for twelve musicians

Location: Musikhochschule Lübeck, Lübeck, Germany

Brahms Festival "Dialogue"
Side-by-side concert with student performers of the Musikhochschule Lübeck and Ensemble Recherche

Program:

Anahita Abbasi Situation IV/ Io E iO 
solo violin

Katharina Rosenberger Atchafalaya Remix 
bass-cl, perc, pn, va, vc + fixed media

Kristine Tjøgersen Seafloor Dawn Chorus 
fl, cl, perc, pn, vn, va, vc

Payman Mansouri new work (UA) 
for twelve musicians

Location: Wiener Konzerthaus, Berio-Saal, Vienna, Austria

With works by Hristina Šušak, Katharina Rosenberger, Reinhold Schinwald and Maurizio Azzan

Website Ensemble Phace
https://phace.at/events/
 

Location: Gare du Nord, 20:00

Nr. 2 - Musik Objektiv - Musik Subjektiv

Anna Sowa (*1987, PL/CH) -Nach dem Foto feiern wir weiter! (2023) - UA
Gary Berger (CH) - 21 mal Lösen (2008/2014)
Katharina Rosenberger (*1971, CH) - blur (2019/2023)
Ricardo Eizirik (*1985, BR/DE/CH) - in Steps (2018-2019)
Michael Maierhof (*1956, DE) - shopping 4 (2005-2006)

musikalische Interventionen von: Svetlana Maraš (*1985, SRB/CH), Rama Gottfried (*1977 US/CH), Fernando Manassero (*1984 ARG/CH), Nicolas Buzzi (*1987 CH)

Ensemble Lemniscate
Andreas Eduardo Frank, Elektronik
Daniel Moreira, Dirigent

https://www.ensemblelemniscate.com/ensemble

Location: PROGR 20:00

Nr. 2 - Musik Objektiv - Musik Subjektiv

Anna Sowa (*1987, PL/CH) -Nach dem Foto feiern wir weiter! (2023) - UA
Gary Berger (CH) - 21 mal Lösen (2008/2014)
Katharina Rosenberger (*1971, CH) - blur (2019/2023)
Ricardo Eizirik (*1985, BR/DE/CH) - in Steps (2018-2019)
Michael Maierhof (*1956, DE) - shopping 4 (2005-2006)

musikalische Interventionen von: Svetlana Maraš (*1985, SRB/CH), Rama Gottfried (*1977 US/CH), Fernando Manassero (*1984 ARG/CH), Nicolas Buzzi (*1987 CH)

Ensemble Lemniscate
Andreas Eduardo Frank, Elektronik
Daniel Moreira, Dirigent

https://www.ensemblelemniscate.com/ensemble

Location: Kunstraum Walcheturm, 20:00

Nr. 2 - Musik Objektiv - Musik Subjektiv

Anna Sowa (*1987, PL/CH) -Nach dem Foto feiern wir weiter! (2023) - UA
Gary Berger (CH) - 21 mal Lösen (2008/2014)
Katharina Rosenberger (*1971, CH) - blur (2019/2023)
Ricardo Eizirik (*1985, BR/DE/CH) - in Steps (2018-2019)
Michael Maierhof (*1956, DE) - shopping 4 (2005-2006)

musikalische Interventionen von: Svetlana Maraš (*1985, SRB/CH), Rama Gottfried (*1977 US/CH), Fernando Manassero (*1984 ARG/CH), Nicolas Buzzi (*1987 CH)

Ensemble Lemniscate
Andreas Eduardo Frank, Elektronik
Daniel Moreira, Dirigent

https://www.ensemblelemniscate.com/ensemble

Location: Kunstraum Walcheturm, Zurich, Switzerland, 17:00

Program:

SCHWIMMKÖRPER

Katharina Rosenberger
Neues Werk (UA) for saxophone, e-guitar, keyboard and fixed media

Germán Toro Pérez           
Neues Werk (UA) for e-guit and electronic

Eric Wubbles           
Axamer Folio (2015 /2022 UA new version) for saxophone and drum set (version 1)

***
Eric Wubbles            
Axamer Folio (2015)  for saxophone and drumset (version 2)

Felix Nussbaumer    
»floater« (UA) for e-guitar, saxophone, keyboard, live-electronics and video

Website Soyuz21
https://soyuz21.ch/en/agenda

Location: Druckereihalle Ackermannshof, Basel, Switzerland, 20:00

Program:

SCHWIMMKÖRPER

Katharina Rosenberger
Wacken (UA) for saxophone, e-guitar, keyboard and fixed media

Germán Toro Pérez           
Neues Werk (UA) for e-guit and electronic

Eric Wubbles           
Axamer Folio (2015 /2022 UA new version) for saxophone and drum set (version 1)

***
Eric Wubbles            
Axamer Folio (2015)  for saxophone and drumset (version 2)

Felix Nussbaumer    
»floater« (UA) for e-guitar, saxophone, keyboard, live-electronics and video

Website Soyuz21
https://soyuz21.ch/en/agenda

Location: Royal, Baden, Switzerland, 20:00

Program:

SCHWIMMKÖRPER

Katharina Rosenberger
Neues Werk (UA) for saxophone, e-guitar, keyboard and fixed media

Germán Toro Pérez           
Neues Werk (UA) for e-guit and electronic

Eric Wubbles           
Axamer Folio (2015 /2022 UA new version) for saxophone and drum set (version 1)

***
Eric Wubbles            
Axamer Folio (2015)  for saxophone and drumset (version 2)

Felix Nussbaumer    
»floater« (UA) for e-guitar, saxophone, keyboard, live-electronics and video

Website Soyuz21
https://soyuz21.ch/en/agenda

Location: Hochschule Musik - Luzern, Lucerne, Switzerland, 19:00

(details follow)

Location, Swiss Embassy

With music by Dmitri Kourliandski, Alexander Khubeev, and Katharina Rosenberger

Listening Link: https://www.srf.ch/audio/musik-unserer-zeit/komponieren-mit-katharina-rosenberger?id=12310201

Sendung 11.01.2023, 20:00 Uhr, Radio SRF 2 Kultur

Redaktion: Florain Hauser

Die Intendantin des Festivals Sonic Matter heisst Katharina Rosenberger. Und sie kuratiert nicht nur, sondern ist auch selbst Komponistin. Heute macht sie sich über ihr Metier einige Gedanken: Komponieren, wie geht das eigentlich?

Da reifen Ideen wie Samenkörner im Kopf, bevor auch nur eine einzige Note aufs Papier geworfen wird. Da muss man/frau ausschneiden aus der Fülle von Möglichkeiten, die Vielfalt der Möglichkeiten auf fünf Notenlinien herunterbrechen, dann wird die Notenschrift selber zum Terrain der Reflexion Vielleicht. Vielleicht ist es aber auch ganz anders? Annäherungen an ein fast ungreifbares Phänomen.

Wdh. vom 15. April 2020

//

A conversation with Florian Hauser

The artistic director of the Sonic Matter festival is Katharina Rosenberger. And she not only curates, but is also a composer herself. Today she has some thoughts about her profession: Composing, how does that actually work?

Ideas ripen like seeds in the head before even a single note is thrown down on paper. You have to cut out of the abundance of possibilities, break down the variety of possibilities to five staves, then the musical notation itself becomes the terrain of reflection. But maybe it is also completely different? Approaches to an almost intangible phenomenon.

Location: https://www.hr2.de/programm/klassik-oper/neue-musik--schichtungen-texturen-spuren,epg-neue-musik-358.html

Sendung: hr2-kultur, "Neue Musik", 05.01.2023, 21:30 Uhr.
 

Neue Musik | Schichtungen, Texturen, Spuren

Die Komponistin Katharina Rosenberger

In den Werken der Schweizer Komponistin und Klangkünstlerin Katharina Rosenberger, die lange in Los Angeles gelebt hat und nun eine Professur an der Musikhochschule Lübeck bekleidet, schichten sich Geschichten. Texturen eröffnen Flächen und eine Fülle von Spuren führt uns archäologisch in die Tiefen des Klangs. 

Vorgestellt von Karl Ludwig

Die Kompositionen von Katharina Rosenberger (* 1971) versuchen, den Raum in der Musik zu öffnen: Durch spektrale Auffächerung des Klanginneren, in figuralen Beziehungen und kreisenden Formen quer zum musikalischen Zeitlauf, durch Einbindungen von Videos und der spezifischen Akustik der jeweiligen Architektur. Überdies durch die Integration von politischen, sozialen und persönlichen Schichten und Geschichten, die unser Leben, seine Beziehungen und Orte prägen. Diese Vielschichtigkeit lässt die Komplexität unserer Gegenwart ästhetisch erfahrbar werden und fordert zu einem Hören auf, das sich stets von Neuem in die Tiefenschichten des Klangs hineinwagt.

Location: Wiener Konzerthaus, Mozart Saal, Vienna, Austria

World premier of The Future is a Broken Record, commissioned and composed for Johanna Vargas (soprano), Marcus Weiss (alto saxophone), Uli Fussenegger (contrabass). Libretto by Katharina Rosenberger, Patrick Klingenschmitt, and poetry by Rozalie Hirs.

Program

Nadir Vassena: luce migrante. quasi un madrigale based on a poem by Fabio Pusterla (2021 UA) - 21'

Klaus Lang: cantica christinae. III – a summer wish (2020 UA) - 12' 

Katharina Rosenberger: The Future is a Broken Record (2022 UA) - 16' 
with texts by Katharina Rosenberger, Patrick Klingenschmitt and Rozalie Hirs

"The music of the interdisciplinary composer Katharina Rosenberger, who lives in Zurich and Lübeck, is about more than notes. The Future is a Broken Record is set in a present that spins in destructive endless grooves, between pessimism, optimism and activism." (Wien Modern)

Location: Kulturni Centar, Osijek, Croation, 20:00
 

Part of NOVALIS FESTIVAL 2022 - MIGRATION

Information on the Festival and Guest Lecturers,
Pierre Jodlowski
Katharina Rosenberger
Johannes Kreidler
Davor Vincze

and Guest Performers
Barbara Lüneburg
Mia Elezovic
Szilard Benes

https://novalisconcept.hr/index.html 

Location: Pantin, Paris, France, 19:00

Swingersclub No3

New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.

Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects

Location: Cité de la Musique et de la Danse, Strasbourg, France, 19:00

Swingersclub No3

New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.

Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects

Location: Gare du Nord, Basel, Switzerland, 20:00

Swingersclub No3

New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.

Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects

Location: Lavaterhaus, Zurich, Switzerland, 19:00

Swingersclub No3

New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.

Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects

Location: Progr, Bern, Switzerland, 20:00

Swingersclub No3

New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.

Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects

KATHARINA ROSENBERGER’S “tempi agitati”!

To texts by Petrarch

Neue Vocalsolisten Stuttgart
mode 334

https://moderecords.com/catalog/334rosenberger/
https://moderecords.bandcamp.com/.../tempi-agitati-mode-334

On April 6, 1327, a 22-year-old Italian poet named Francesco Petrarca caught a glimpse of a young woman, Laura, in a church in Avignon. He later reported that “living sparks issued from two lovely eyes”. Those sparks enflamed Petrarch such that he spent the rest of his illustrious career coming to terms with them.

Madrigals were developed in the 16th century by Adrian Willaert and Cipriano de Rore, which took Petrarch’s agonized images as justification for violating the rules that had guided musicians since before the beginnings of notated music.

Those living sparks have leapt ahead seven more centuries to inspire Katharina Rosenberger. Her “tempi agitati” embeds Petrarch’s texts (especially fragments from his “Ascent of Mount Ventoso”) and settings of sonnets by Willaert and Rore within her own responses to those materials.

In live performance, Rosenberger works together with stage-director Ludger Engels to distribute members of the ensemble, Neue Vocalsolisten, around the sound space; they dart around throughout the site, thereby embodying Petrarch’s “vive faville.” While a sound recording lacks the visual dimension crucial to Rosenberger’s concept, it allows the listener to attend much more closely to her rich tapestry of sonorities as she puts Petrarch’s 14th-century poetry and 16th-century madrigals into dialogue with her extended vocal techniques.

Sometimes the singers coalesce into whole polyphonic samples before returning to the extended vocal techniques from which they had emerged. Sometimes, finally, the madrigal itself appears, now intact. Rosenberger thereby simulates Petrarch’s struggle to put into coherent form his reactions to Laura’s glance.

Those living sparks have indeed inflamed thousands: Laura’s glance goaded Petrarch to the heights of formal perfection in his sonnets, and it led the madrigalists to imagine tonal worlds far beyond the stylistic precepts they had inherited. Finally, it has inspired Rosenberger to push voices to exceed the limitations of usual vocal technique, to offer simulations not only of those moments of Petrarch’s lucidity but also of those in which he grasped for the tools necessary for articulating the chaos that reigned relentlessly within him.

Complete Petrarch texts included. Liner notes by Susan McClary (English) and Thomas Meyer (German).

Location: Festival SINUS TON, Magdeburg 

Program

JASON THORPE BUCHANAN soliloquios del viento

KATHARINA ROSENBERGER Up-Close

LEILEHUA LANZILOTTI Born is the Rain

TED MOORE Quartet

IGOR C. SILVA Smart-alientation

Location: DiMenna Center for Classical Music, New York 19h30

Program

KATHARINA ROSENBERGER Up-Close

JASON THORPE BUCHANAN soliloquios del viento

CLAY METTENS Into the empty sky

ERIKA DOHI New Work

CATHY VAN ECK Wings

DIETER AMMANN CUTE

Festival ZeitRäume
Location: CIBA Areal, K26, Klybeck, Basel 19h

«Urban Morphologies Issue #21/09/Basel» – eine Konzertinstallation von Katharina Rosenberger (Komposition) und Betina Kuntzsch (Video), uraufgeführt vom ensemble mosaik

Drei Städte im Wandel. «Urban Morphologies Issue #21/09/Basel» handelt vom Verschwinden, von Sehnsüchten und vom Werden, von Utopie, Resistenz und Resilienz. Architektur für Geldanlagen, gespaltene Stadtviertel und rasanter Wandel, aber auch die Notwendigkeit für Dialoge und Austausch durch alle Gesellschaftsstrukturen sind die Konsequenzen. Die Herausforderungen sind überall dieselben. Die Auswahl Berlin – Los Angeles – Basel ergab sich durch die Zusammenarbeit der beteiligten Künstler*innen, die sie bewohnen, ihre Transformation miterleben und sich fragen, wie sehr dieser Wandel doch von ihnen mit zu verantworten ist?

In «Urban Morphologies Issue #21/09/Basel» begibt sich das Publikum zusammen mit den Künstler*innen auf eine audiovisuelle, kammermusikalische und installative Tour mit Indizien der Vergangenheit, Gegenwart und hypothetischer Zukunft dieser drei Städte. Dabei verwischen die Grenzen und es ist mitunter unklar, in welcher Stadt man sich gerade befindet. Einzelne Orte geraten ins Blickfeld, Parallelen und Verbindungspunkte tun sich auf, Erinnerungen und Fantasien verselbständigen sich. In Interviews und Rezitationen kommen lokale Bevölkerungen wie auch die Wissenschaft zu Wort, Klangwelten markanter Orte werden nachempfunden und weitergesponnen. Die Foto- und Videodokumentationen der sich wandelnden Städte und ihre Menschen gehen auf in dynamische Bildwelten.
 

Katharina Rosenberger - Konzept, Komposition
Betina Kuntzsch - Video

ensemble mosaik
Simon Strasser - Oboe, Christian Vogel - Klarinette, Sebastian Lange - Saxofon, Ernst Surberg - Klavier / Turntables, Chatchatur Kanajan - Violine, Karen Lorenz - Viola, Mathis Mayr - Cello, Arne Vierck - Klangregie

Gwen Kyrg, Camilla Fehér - Performance und Stimme
Patrick Klingenschmitt - Dramaturgie
Kalma X / Eckehard Güther - Videotechnik

Location: Silent Green, Betonhalle, Berlin 20h

«Urban Morphologies Issue #21/09/Berlin» – eine Konzertinstallation von Katharina Rosenberger (Komposition) und Betina Kuntzsch (Video), uraufgeführt vom ensemble mosaik

Drei Städte im Wandel. «Urban Morphologies Issue #21/09/Berlin» handelt vom Verschwinden, von Sehnsüchten und vom Werden, von Utopie, Resistenz und Resilienz. Architektur für Geldanlagen, gespaltene Stadtviertel und rasanter Wandel, aber auch die Notwendigkeit für Dialoge und Austausch durch alle Gesellschaftsstrukturen sind die Konsequenzen. Die Herausforderungen sind überall dieselben. Die Auswahl Berlin – Los Angeles – Basel ergab sich durch die Zusammenarbeit der beteiligten Künstler*innen, die sie bewohnen, ihre Transformation miterleben und sich fragen, wie sehr dieser Wandel doch von ihnen mit zu verantworten ist?

In «Urban Morphologies Issue #21/09/Berlin» begibt sich das Publikum zusammen mit den Künstler*innen auf eine audiovisuelle, kammermusikalische und installative Tour mit Indizien der Vergangenheit, Gegenwart und hypothetischer Zukunft dieser drei Städte. Dabei verwischen die Grenzen und es ist mitunter unklar, in welcher Stadt man sich gerade befindet. Einzelne Orte geraten ins Blickfeld, Parallelen und Verbindungspunkte tun sich auf, Erinnerungen und Fantasien verselbständigen sich. In Interviews und Rezitationen kommen lokale Bevölkerungen wie auch die Wissenschaft zu Wort, Klangwelten markanter Orte werden nachempfunden und weitergesponnen. Die Foto- und Videodokumentationen der sich wandelnden Städte und ihre Menschen gehen auf in dynamische Bildwelten.

«Urban Morphologies» ist der Auftakt in der Reihe «realities, places and displacements of places» im silent green. In den insgesamt vier Konzertabenden werden urbane Entwicklungen thematisiert und soziokulturelle Zusammenhänge hinterfragt.

Katharina Rosenberger - Konzept, Komposition
Betina Kuntzsch - Video

ensemble mosaik
Simon Strasser - Oboe, Christian Vogel - Klarinette, Sebastian Lange - Saxofon, Ernst Surberg - Klavier / Turntables, Chatchatur Kanajan - Violine, Karen Lorenz - Viola, Mathis Mayr - Cello, Arne Vierck - Klangregie

Gwen Kyrg, Camilla Fehér - Performance und Stimme
Patrick Klingenschmitt - Dramaturgie
Kalma X / Eckehard Güther - Videotechnik

Location: Smog, Brussels

ARRANGEMENTS

Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik

Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik

Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik

Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables 

Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl

* CH Premiere of the new version (y-band arrangement)

y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre

Location: Stromraum, Stuttgart

ARRANGEMENTS

Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik

Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik

Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik

Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables 

Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl

* CH Premiere of the new version (y-band arrangement)

y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre

Location: Kirche Mariahilf, Graz 20h

no voice other than this pen...
Gesprächskonzert - concert & talk

Programm

Katharina Rosenberger (*1971) Aufzeichnungen eines Stimmlosen, wp
(no voice other than this pen...) 
for four voices, bass clarinet, accordion and violin

Alexander Kaiser (*1985) Der Tamboursg’sell
Music: Gustav Mahler
Text: from des Knaben Wunderhorn 
Instrumentation: Alexander Kaiser

The countryside is in convulsion, wp
for four voices, objects, contrabass clarinet, accordion, violin and electronics

Hannes Kerschbaumer (*1981) Das irdische Leben 
Music: Gustav Mahler
Text: from des Knaben Wunderhorn 
Instrumentation: Alexander Kaiser

hyperdermic drift, wp 
for four voices, three instruments and electronics

Cantando Admont

Akiko Ito, Sopran
Helena Sorokina, Alt
Bernd Lambauer, Tenor
Ulfried Staber, Bass

Johannes Haase, Violine
Marco Sala, Klarinette
Maria Mogas Gensana, Akkordeon

under the direction of
Cordula Bürgi

Im Rahmen der Gustav Mahler Wochen, Toblach

no voice other than this pen...
Gesprächskonzert - concert & talk

Programm

Katharina Rosenberger (*1971) Aufzeichnungen eines Stimmlosen, wp
(no voice other than this pen...) 
for four voices, bass clarinet, accordion and violin

Alexander Kaiser (*1985) Der Tamboursg’sell
Music: Gustav Mahler
Text: from des Knaben Wunderhorn 
Instrumentation: Alexander Kaiser

The countryside is in convulsion, wp
for four voices, objects, contrabass clarinet, accordion, violin and electronics

Hannes Kerschbaumer (*1981) Das irdische Leben 
Music: Gustav Mahler
Text: from des Knaben Wunderhorn 
Instrumentation: Alexander Kaiser

hyperdermic drift, wp 
for four voices, three instruments and electronics

Cantando Admont

Akiko Ito, Sopran
Helena Sorokina, Alt
Bernd Lambauer, Tenor
Ulfried Staber, Bass

Johannes Haase, Violine
Marco Sala, Klarinette
Maria Mogas Gensana, Akkordeon

under the direction of
Cordula Bürgi

Location: Progr, Bern

Trilogie Animal - Human - Monster

Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.

Location: Gare du Nord, Basel

Trilogie Animal - Human - Monster

Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.

Location: Kunstraum Walcheturm, Zürich

Trilogie Animal - Human - Monster

Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.

Location: Le Cap, Bern

Construct/Radiate III
with works by Dieter Ammann, Franck Bedrossian, Katharina Rosenberger and Karin Wetzel (winner of the 2020 Construct-Radiate Composition Competition)

under the direction of Mike Svoboda

https://www.neuverband.ch

Location: Gare du Nord, Basel

Construct/Radiate III
with works by Dieter Ammann, Franck Bedrossian, Katharina Rosenberger and Karin Wetzel (winner of the 2020 Construct-Radiate Composition Competition)

under the direction of Mike Svoboda

https://www.neuverband.ch

Location: Ono, Bern

ARRANGEMENTS

Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik

Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik

Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik

Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables 

Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl

* CH Premiere of the new version (y-band arrangement)

y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre

Location: Ackermannshof, Basel

ARRANGEMENTS

Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik

Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik

Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik

Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables 

Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl

* CH Premiere of the new version (y-band arrangement)

y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre

Location: Kunstraum Walcheturm, Zürich

ARRANGEMENTS

Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik

Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik

Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik

Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables 

Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl

* CH Premiere of the new version (y-band arrangement)

y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre

Location: Musik 21, Klangbrücken Festival, Hanover

Katharina Rosenberger 
»untitled« (2002) Stereo Tape

Matti Heininen
»Neues Werk« Uraufführung für Akkordeon und Schlagzeug

Georg Friedrich Haas
»Sayaka« (2006) für Akkordeon und Schlagzeug

Katharina Rosenberger 
»Neues Werk« Uraufführung für Akkordeon und Schlagzeug

Magnus Lindbergh 
»Metal Work« (1984) für Akkordeon und Schlagzeug

Katharina Rosenberger
»The_Line« (2007) Video/Sound Art

Margit Kern, accordion
Olaf Tzschoppe, percussions

Location: Progr, Bern

Trilogie Animal - Human - Monster

Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.

Program: Human
Erik Oña (1961-2019) – Jodeln (2003/2004)
Karlheinz Stockhausen (1928 - 2007) Tierkreis (1974–75)
Wassermann, Zwilling, Jungfrau, Waage
Mikel Urquiza (*1988) – Ars memoriae (2019)
Eric Wubbels (*1980) – Tautology & Translation (2012)
Erin Gee (*1974) – Mouthpiece: Segment of the 4th Letter
Katharina Rosenberger (*1971) – new work (2021)

Location: Kunstraum Walcheturm, Zurich

Trilogie Animal - Human - Monster

Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.

Program: Human
Erik Oña (1961-2019) – Jodeln (2003/2004)
Karlheinz Stockhausen (1928 - 2007) Tierkreis (1974–75)
Wassermann, Zwilling, Jungfrau, Waage
Mikel Urquiza (*1988) – Ars memoriae (2019)
Eric Wubbels (*1980) – Tautology & Translation (2012)
Erin Gee (*1974) – Mouthpiece: Segment of the 4th Letter
Katharina Rosenberger (*1971) – new work (2021)

Location: St. Elisabeth-Kirche, Berlin, 20h00

Program

Laurie Schwartz
Outtakes from the Dangerous Women Files – #1 the heroines (2016/2020) UA

Laurie Schwartz
Outtakes from the Dangerous Women Files – #2 the deeds (2020) UA

Katharina Rosenberger
Urban Morphologies – Issue #11/20 (2020) UA
​​​​​​​with Betina Kuntzsch (video)

Karen Power
…when one duck leaves the row… (2020) UA

http://www.ensemble-mosaik.de/konzerte.php

Location: Kunstraum Walcheturm, Zurich, 20h00

no voice other than this pen...
Gesprächskonzert - concert & talk

Programm

Katharina Rosenberger (*1971) Aufzeichnungen eines Stimmlosen, wp
(no voice other than this pen...) 
for four voices, bass clarinet, accordion and violin

Alexander Kaiser (*1985)Der Tamboursg’sell
Music: Gustav Mahler
Text: from des Knaben Wunderhorn 
Instrumentation: Alexander Kaiser

The countryside is in convulsion, wp
for four voices, objects, contrabass clarinet, accordion, violin and electronics

Hannes Kerschbaumer (*1981) Das irdische Leben 
Music: Gustav Mahler
Text: from des Knaben Wunderhorn 
Instrumentation: Alexander Kaiser

hyperdermic drift, wp 
for four voices, three instruments and electronics

Cantando Admont

Akiko Ito, Sopran
Helena Sorokina, Alt
Bernd Lambauer, Tenor
Ulfried Staber, Bass

Johannes Haase, Violine
Marco Sala, Klarinette
Maria Mogas Gensana, Akkordeon

under the direction of
Cordula Bürgi

Location: List Halle, Graz

no voice other than this pen...
Gesprächskonzert - concert & talk

Programm

Katharina Rosenberger (*1971) Aufzeichnungen eines Stimmlosen, wp
(no voice other than this pen...) 
for four voices, bass clarinet, accordion and violin

Alexander Kaiser (*1985)Der Tamboursg’sell
Music: Gustav Mahler
Text: from des Knaben Wunderhorn 
Instrumentation: Alexander Kaiser

The countryside is in convulsion, wp
for four voices, objects, contrabass clarinet, accordion, violin and electronics

Hannes Kerschbaumer (*1981) Das irdische Leben 
Music: Gustav Mahler
Text: from des Knaben Wunderhorn 
Instrumentation: Alexander Kaiser

hyperdermic drift, wp 
for four voices, three instruments and electronics

Cantando Admont

Akiko Ito, Sopran
Helena Sorokina, Alt
Bernd Lambauer, Tenor
Ulfried Staber, Bass

Johannes Haase, Violine
Marco Sala, Klarinette
Maria Mogas Gensana, Akkordeon

under the direction of
Cordula Bürgi

Location: Kunstraum Walcheturm, Zurich

Trilogie Animal - Human - Monster

Program: Animal

Location: Helmut List Halle, Graz, 20h00

Program
Happiness Seriousness - A Counterpoint

*Björn Wilker - Die Quelle des Unbekannten

*Film: Elizabeth Hobbs / Carola Bauckholt - The Flounder

*Katharina Rosenberger — blur (2019)

*Film: Rebecca Blöcher/ Eva Reiter- Lickalike

*Improvisation — Ensemble, Seiltanz, Vokalsolo

*Film: Samantha Moore/ Malin Bång – Bloomers

*„Spiegelungen“ — Seiltanz & Vokalsolo

Rebecca Saunders — Sole

*Film: Johanna Kozuch/ Ying Wang - Music Box

*Charles Ives — the unanswered question

*Film: Michelle Kranot / Iris ter Schiphorst- Suggestion of least resistance

*Michael Pelzel — Dance of the magic water bells (2014)

David Moss, Vokalsolist
Sarah Lindermayer, Seiltänzerin
Musikalische Leitung: Patrick Hahn
Regie: Mirella Weingarten
Dramaturgie: Andreas Schäfer
Klangregie: Peter Böhm
Filmprojektion: Martin Repka
Jörg Schildbach, Licht

Location: Helmut List Halle, Graz, 20h00

Program
Happiness Seriousness - A Counterpoint

*Björn Wilker - Die Quelle des Unbekannten

*Film: Elizabeth Hobbs / Carola Bauckholt - The Flounder

*Katharina Rosenberger — blur (2019)

*Film: Rebecca Blöcher/ Eva Reiter- Lickalike

*Improvisation — Ensemble, Seiltanz, Vokalsolo

*Film: Samantha Moore/ Malin Bång – Bloomers

*„Spiegelungen“ — Seiltanz & Vokalsolo

Rebecca Saunders — Sole

*Film: Johanna Kozuch/ Ying Wang - Music Box

*Charles Ives — the unanswered question

*Film: Michelle Kranot / Iris ter Schiphorst- Suggestion of least resistance

*Michael Pelzel — Dance of the magic water bells (2014)

David Moss, Vokalsolist
Sarah Lindermayer, Seiltänzerin
Musikalische Leitung: Patrick Hahn
Regie: Mirella Weingarten
Dramaturgie: Andreas Schäfer
Klangregie: Peter Böhm
Filmprojektion: Martin Repka
Jörg Schildbach, Licht

Location: Hörsturm-Festival, Konviktstrasse 8, Ried im Innkreis

Programm:

Katharina Rosenberger – Gesang an das noch namenlose Land (2013)

Iannis Xenakis – Ikhoor (1978)

Klaus Lang  – weisse äpfel für Streichtrio (2009)

Alicja Pilarczyk, Violine
Sophie Wahlmüller, Viola
Ellen Fallowfield, Violoncello

Location: Acker Stadt Palast, Berlin, 16h30

Program

Malte Giesen
Studie (2020) UA

Katharina Rosenberger
Urban Morphologies – Issue #08/20 (2020) UA
with Betina Kuntzsch (video)

Clemens Gadenstätter
studies for portraits in a surrounding (with JLG) - Phase 1 (work in Progress) (2020)

I am very happy to announce that I have been awarded with the 2019 Guggenheim Fellowship in Musical Composition. This enables me to go on an extended artistic research and composition project with the fabulous [Switch~ Ensemble].

For more information:

https://www.gf.org/fellows/all-fellows/katharina-rosenberger/

https://ucsdnews.ucsd.edu/pressrelease/guggenheim_award_a_milestone_for_uc_san_diego_professor_katharina_rosenberger

https://www.switchensemble.com/

Location: ONLINE STREAMING, 20h00

Works by Rosenberger, Frank, Kessler, Zvezdina, Kurliandski, Beil

Location: Göteborgs Konserthus, Gothenburg, Sweden 18h

Gageego! performs a concert dedicated to trombone music.
Three world premiers by Wat, Hakansson, Bang and a Swedish premier of my SHIFT for 10 instruments and two spatialized trombones.

https://www.gso.se/program/konserter/gageego-3/2020-04-19-18:00/

Location: tba, Cologne

I will embark on a new collaboration with accordionist Margit Kern
new work for accordion and percussion
http://margitkern.de

Location: Art Share, Los Angeles

wasteLAnd will present a brand new version of modules scored for tenor sax / trombone / e-guitar / piano

Location: Theater Rigiblick, Zurich 

Musikpodium - Inspiration Bildende Kunst

und mit Werken von Cécile Marti und Rudolf Kelterborn

Location: tba

Location: Eastman School of Music, Rochester, USA

World premier of "Up Close", composed in close collaboration with [Switch~ Ensemble], for flute / bass-clarinet / percussion / piano / violoncello, close-up microphones and lights.

The commission and concert is supported by New Music USA, Ernst von Siemens Musikstiftung, Stuttgart and by the Guggenheim Fellowship, which allowed me to take time off from teaching and fully concentrate on this project 

Location: Eastman School of Music, Rochester, USA

World premier of "Up Close", composed in close collaboration with [Switch~ Ensemble], for flute / bass-clarinet / percussion / piano / violoncello, close-up microphones and lights.

The commission and concert is supported by New Music USA, Ernst von Siemens Musikstiftung, Stuttgart and by the Guggenheim Fellowship, which allowed me to take time off from teaching and fully concentrate on this project 

Location: Akademie der Künste, Berlin 6.30pm

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: Progr, Bern 

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: tba, Geneva

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: Wurm, Basel 9pm

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: Kulturhaus Helferei, Zurich 

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: Radialsystem, Berlin 20h

OHRKNACKER

Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik

https://radialsystem.de/programme/58199/205621/?lang=en

Location: UCSD, Experimental Theatre, La Jolla

[Switch~ Ensemble] presents a workshop performance of our brand new project "Up Close" for flute / bass-clarinet / percussion / piano / violoncello, close-up microphones and lights.

Also on the bill trio music (cl, pno, vcl) of Ashley Fure, Anne Louise Walton and "surge" by Rosenberger

Location: Resonanzraum, Hamburg 20h

OHRKNACKER

Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik

https://www.triocatch.com/de/ohrknacker.html

Location: Wohnzimmer, Markthalle Basel, 20h

On trombones Jon Roskilly, Kevin Austin, Stephen Menotti, and Mike Svoboda.
Quartets by Annesley Black, Valerio Sannicandro, Jon Roskilly, and Kevin Juillerat, as well as "strangely entertaining" (Quote: Mike Svoboda) duos from Loic Destemau and Katharina Rosenberger

Location: The Institute, Zurich

OHRKNACKER

Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik

https://www.triocatch.com/de/ohrknacker.html

Location: Tinguely Museum, Basel, Switzerland, 20h

MIGRACIÓN IV
The program features a new version of "blur" for flutes / baritone sax / e-guit / perc / piano / violin / violoncello

and music by Paul Clift, Lula Romero, Leonardo Idrobo, Ramón Souto

http://vertixesonora.net/en/evento/migracion-iii/

MIGRACIÓN IV
The program features a new version of "blur" for flutes / baritone sax / e-guit / perc / piano / violin / violoncello

and music by Paul Clift, Lula Romero, Leonardo Idrobo, Ramón Souto

http://vertixesonora.net/en/evento/migracion-iii/

Location: Salle de l'Aubette, 35 Place Kleber, Strasbourg 15h30 - 17h30

Impulse neue Musik
Panel "Avons-nous la même oreille?"

with
Björn Gottstein
Lydia Rilling
Katharina Rosenberger
Stéphane Roth

Location: The Witold Lutoslawski Concert Studio, Warsaw, Poland

Reprise of the orchestral work Rein with the Basel Sinfonietta, under the direction of Baldur Brönnimann

Location: Güterbahnhof Wolf, SBB Halle

World premier of site-specific orchestral work Rein with the Basel Sinfonietta, under the direction of Baldur Brönnimann

Location: Museo Vostell Malpartida, 21h

Alessandra Rombolà (flute) and Xelo Giner (saxophone) present music by
Daniela Terranova, Inés Badalo, Diana Rotaru, Alessandra Romolà, Sarah Nemtsov, Fran MM Cabeza de Vacca 

Monday, July 22, 2019 14h
Lecture

Conservatorio di Svizzera italiana, Lugano
Aula 305
 

http://www.ticinomusica.com/concerto/compositori-svizzeri-contemporanei-si-presentano-22-7-2019/

MEET THE ARTISTS

Der Sommer in Stuttgart
21.07.2019, 16:00–18:00 / Stuttgart / Theaterhaus / Südseite-P2

Regisseur Ludger Engels und Komponistin Katharina Rosenberger geben Einsicht in die Arbeit an Ihrer neuen Installation, die in Zusammenarbeit mit den Neuen Vocalsolisten entstanden ist:

The Journey 
Klang- und Videoinstallation

mit den Neuen Vocalsolisten

Momo Lischker, Schnitt
Andrew Munsey, Ton

„The Journey“ basiert auf der szenischen Aufführung „tempi agitati“. Die Installation versteht sich nicht als Dokumentation, sondern spiegelt das Potenzial einer Live-Performance und damit von einem Geschehen mit autonomer Ausdruckskraft, die sich im Medium Video wiederfindet.

Auf drei Leinwänden und mit einem mehrkanaligen Raumklang wird die Unmittelbarkeit der Live-Performance und die Nähe von Publikum und Neuen Vocalsolisten neu ausgelotet sowie die Wahrnehmung von Raum und Zeit.

Die Installation nimmt Bezug auf die historische Relevanz der „cori spezzati“ und ihre großen Meister aus der Renaissance: Adrian Willaert und Cipriano de Rore. Zentrales literarisches Bild ist dabei Francesco Petrarcas beschwerliche Bergbesteigung des Mont Ventoux. Die Suche nach Zugehörigkeit, Einklang und Sinn seiner Existenz gewinnt durch die speziell für die Installation entwickelte Choreographie sowie Nah- und Detailaufnehmen an Intensität und Eindringlichkeit.

„The Journey“ zieht das Publikum in einen immersiven und sinnlichen Sog, inmitten der kraftvollen Stimmen der Neuen Vocalsolisten

Die Installation ist zugänglich in kleineren Gruppen von 8-10 Personen.
Die Künstler*innen sind vor Ort und ein Austausch mit dem Publikum wird angestrebt.

Theaterhaus Stuttgart
Südseite-P2
Siemensstraße 13 
70469 Stuttgart 
Deutschland

Kontakt/Anfahrt:
https://mdjstuttgart.de/kontakt.html

Location: Stockalperschloss, Brig

Soprano Franziska Andrea Heinzen and pianist Benjamin Mead present
LIEDREZITAL: KOMPONISTINNEN: ZIERDE ODER MEISTERIN?

http://franziskaheinzen.com

Location: Tonhalle Düsseldorf

Soprano Franziska Andrea Heinzen and pianist Benjamin Mead present
LIEDREZITAL: KOMPONISTINNEN: ZIERDE ODER MEISTERIN?

http://franziskaheinzen.com

Location: Smock Alley Theatre, Dublin, Ireland, 20h

Retro Disco performs yet again "if they bite with all their might". Further works by Jannik Giger, Eoin Callery, Robert Ashley, David Sontón Caflisch.

The 2019 Archipelago Academy is dedicated to composing for the voice!!

March 31 to April 7, 2019 in Geneva.
With Katharina Rosenberger and the Neue Vocalsolisten.

Open to composers born after January 1st 1989 (30 years old in 2019 or younger).
Application deadline: February 28th, 2019
Info: https://www.ulysses-network.eu/competitions/archipel2019/

Location: Kaserne Basel, Switzerland, 17h

As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.

Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.

Location: Kaserne Basel, Switzerland, 20h

As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.

Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.

Location: Kaserne Basel, Switzerland, 20h

As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.

Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.

Location: Kaserne Basel, Switzerland, 20h

As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.

Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.

Location: Médiathèque Valais, Sion, 7.30pm

L'Estonie & la Suisse
with music by Tulve, Holliger, Reinvere, Rosenberger, Pärt

Location: Studio Ernest-Ansermet, Geneva, 11am

L'Estonie & la Suisse
with music by Tulve, Holliger, Reinvere, Rosenberger, Pärt

Location: National Sawdust, Brooklyn, New York, 7pm

World premier of "folds"

https://nationalsawdust.org/festivals-and-series/ferus/

folds is generously supported by National Sawdust, and in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the Foundation for Contemporary Arts Emergency Grant.

Location: HAU Hebel am Ufer, 8-10pm

features "modules" performed by Ensemble KNM Berlin

also on the bill
Fågelle w/ Beate Kunath (visuals) || Claudia Robles - Angel || Akkamiau Kočičí aka Lenka Kocisova w/ Alessandra AiKia Werkstatt aka Alessandra Leone (visuals) || gudrun gut || NeoNeoneo Hülcker w/ #AntoniaBaehr || Paula Schopf || Mary Čtvery || Zorka Wollny || Nora Krahl w/ Sena Basoz (visuals) || Nina Dragicevic || Steffi Weismann || Annea Lockwood || Jessica Ekomane Etoua

http://www.heroines-of-sound.com/

Location: Chinese University of Hong Kong, Hong Kong

Location: Oil Tank Culture Park in Seoul, South Korea, 8pm

Location: The Vortex, 7pm

M.A.R.S. Music & Arts ReSounds, Los Angeles 2018
Multiverse

world premier of "In the dream that I dreamed, you awoke" for soprano, flutes, bass clarinet, tenor saxophone, trombone, violoncello, electronics and 3D projections

in collaboration with THIS PLAY, Vienna and the musicians of the MARS collective

Location: La Romandie

An evening concert dedicated to the portrait CD SHIFT, featuring modules and compositions for two trombones Re-SHIFT & Interludes

performed by zone éxperimentale basel & les trombones de bâle, under the direction of Mike Svoboda

Location: Münster Bern

Nachtgezeiten / Zeitinseln
World premier of SCHICHTUNG '50 for organ and electronics. In collaboration with organist Daniel Glaus.

Location: KKL Lucerne

World premier of "Meeresgesänge", a composition for a choir sculpture and three percussionists

featuring the Basler Madrigalisten and Trio Klick

Location: Christuskirche, Conrad-Wilhelm-Hase-Platz 1, Hannover

Hochschule für Musik, Theater und Medien
CHORPROJEKT EARTH#SKY#SPACE: Konzert "Space"

Werke für männliche Stimmen von u. a. Enno Poppe und Katharina Rosenberg und vier Uraufführungen von Studierenden der Kompositionsklasse Ming Tsao/Gordon Williamson. Außerdem wird ein Kurzfilm über die Zusammenarbeit zwischen den Singenden und Komponierenden zu sehen sein.

Mit Martin Nagy, Tenor | Guillermo Anzorena, Bariton | Andreas Fischer, Bass (Neue Vocalsolisten Stuttgart)

Location: Kunstraum Walcheturm, Kanonengasse 20, 8004 Zürich
http://www.walcheturm.ch/

q u a r t e t  -  bodies in performance
klang und video installation
9 - 23 juni 2018
 

Im video: brian archinal _ schlagwerk | simone keller _ klavier
moritz müllenbach _ violoncello | krassimir sterev _ akkordeon
katharina rosenberger _ komposition | carlotta holy _ kamera
markus brunn _ licht | alice fischer _ ton | damien inderbitzin _ postproduktion video
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

quartet ist eine klang- und videoinstallation, welche die ineinandergreifenden verbindungen zwischen klangerzeugung und performance-gestik ausleuchtet und den akt der komposition an physische artikulation bindet. dem publikum wird die einsicht in das eigentliche spiel des instrumentes untersagt. die aufmerksamkeit wird stattdessen auf die anatomie des rückens der performer_innen gelenkt, der sich sorgfältig illuminiert vor einem endlosen schwarz dem publikum präsentiert. somit sind es die durch das spiel animierten rückenmuskeln, welche die musik visualisieren, den rhythmus hervorheben, crescendi und accelerandi untermalen und die zuhörer_innen in die physische beanspruchung des jahrelangen intensiven übens und strapazierens von diesem oder jenem muskel einweihen.

vier unabhängige solokompositionen wurden den musiker_innen auf den leib geschrieben, doch in der installation treffen diese kammermusikalisch und willkürlich aufeinander. frei im raum stehen die lautsprecher und das publikum ist eingeladen, die installation zu begehen, um sich eine eigene abmischung der instrumentalklänge anzueignen und dabei auch die zartesten geräusche zu erwischen.

quartet ist dem new yorker künstler ernesto klar und der tänzerin mariangela lopez gewidmet, welche die inspiration zu dieser arbeit lieferten.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Wir danken für die grosszügige Unterstützung:
Fondation Nestlé pour l'Art | Nicati-de-Luz | Gemeinnützige Gesellschaft des Kantons Zürich | Stadt Zürich Kultur | Kanton Zürich Fachstelle Kultur

Grosser Dank auch an Iza Hren, Ruth Held, Andreas Werner und Hans Gut.

Location: Salisbury Congregational Church

Performed by student participants of the festival  :-)

Location: Kunstraum Walcheturm, Kanonengasse 20, 8004 Zürich
http://www.walcheturm.ch/

q u a r t e t  -  bodies in performance
klang und video installation
9 - 23 juni 2018
 

​
v e r n i s s a g e
freitag, 8 juni, 2018

live performances
19h15 simone keller, klavier
19h45 moritz müllenbach, violoncello
20h15 brian archinal, schlagwerk
danach sounds by dj pyroman, turntables
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

im video: brian archinal _ schlagwerk | simone keller _ klavier
moritz müllenbach _ violoncello | krassimir sterev _ akkordeon
katharina rosenberger _ komposition | carlotta holy _ kamera
markus brunn _ licht | alice fischer _ ton | damien inderbitzin _ postproduktion video
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quartet ist eine klang- und videoinstallation, welche die ineinandergreifenden verbindungen zwischen klangerzeugung und performance-gestik ausleuchtet und den akt der komposition an physische artikulation bindet. dem publikum wird die einsicht in das eigentliche spiel des instrumentes untersagt. die aufmerksamkeit wird stattdessen auf die anatomie des rückens der performer_innen gelenkt, der sich sorgfältig illuminiert vor einem endlosen schwarz dem publikum präsentiert. somit sind es die durch das spiel animierten rückenmuskeln, welche die musik visualisieren, den rhythmus hervorheben, crescendi und accelerandi untermalen und die zuhörer_innen in die physische beanspruchung des jahrelangen intensiven übens und strapazierens von diesem oder jenem muskel einweihen.

vier unabhängige solokompositionen wurden den musiker_innen auf den leib geschrieben, doch in der installation treffen diese kammermusikalisch und willkürlich aufeinander. frei im raum stehen die lautsprecher und das publikum ist eingeladen, die installation zu begehen, um sich eine eigene abmischung der instrumentalklänge anzueignen und dabei auch die zartesten geräusche zu erwischen.

quartet ist dem new yorker künstler ernesto klar und der tänzerin mariangela lopez gewidmet, welche die inspiration zu dieser arbeit lieferten.
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Wir danken für die grosszügige Unterstützung:
Fondation Nestlé pour l'Art | Nicati-de-Luz | Gemeinnützige Gesellschaft des Kantons Zürich | Stadt Zürich Kultur | Kanton Zürich Fachstelle Kultur

Grosser Dank auch an Iza Hren, Ruth Held, Andreas Werner und Hans Gut.

Location: Meany Studio Theatre, University of Washington

Location: CalArts | California Institute of the Arts

under the direction of Nicholas Deyoe and invited trombonists Matt Barbier and Weston Olencki, the students of CalArts perform the American premier of SHIFT

Location: UCSD, Concert Prebys Music Hall

Wonderful kallisti ensemble performs excerpts out of the tempi agitati vocal cycle, Vive Faville for six and Tratti Confluenti for two spatialized singers.

On the program as well compositions by Elizabeth Angot, Ana Sokolović and Karin Rehnqvist.

Location: Zentrum für Kulturproduktion

ignm Bern MAKROKOSMOS

Works by Manos Tsangaris, Simon Steen-Andersen, Katharina Rosenberger, Blaise Ubaldini, Carolyn Chen, Justin Rabideau, Miao Zhao, Katelyn Rose King-Utzinger, Marie Delpart.

https://ignm-bern.ch/konzerte/makrokosmos

featuring the Neue Vocalsolisten

www.archipel.org

Sound X presents

2.30pm Western Washington University, Department of Music

7.30pm Performing Arts Center, Western Washington University

Location: Center for New Music

With works by the Swiss composers Walter Feldmann, Tobias Krebs, Katharina Rosenberger and Jürg Wyttenbach as well as the stand-out compositions from composition students of Stanford University and UC Berkeley

Location: Temple University

Location: Spectrum, 70 Flushing Avenue, Garage A, Brooklyn 

Program
William Dougherty – that feeling in your jaw
Fernando Manassero – Drop of Mercury
Dieter Ammann - d'Accord(s)
Katharina Rosenberger - La Chasse
Matias Far - El poeta – en 7 letras, una de ellas releida
Paul Clift – duet/anagram

Location: An Die Musik Live!

January 4-7, 2018 SoundOn Festival voyages at The Athenaeum Music & Arts Library

Gesang an das namenlose Land was beautifully performed by Mona Tiang (violin), Mark Menzies (viola), Frankling Cox (violoncello)

http://sandiegonewmusic.com/2018-soundON.html

Location: Ackermanshof

Further works by David Sontòn Caflisch, Jannik Giger, and Michael Meierhof.

Location: New Zealand School of Music

And with music by Sarah Ballard, Michael Norris, Oliver Thurley, Michael Wertmüller.

Location: Forum Nueva Musica Cordoba

And music by Stefan Prins, Mark Barden, Mark Andre, Oliver Thurley, Michael Wertmüller 

Location: Konzertsaal 1, ZHdK

SABRe / Premiere Concert

with premiers by Thomas Kessler, Jacopo Baboni-Schilling, Marc Estibeiro, and existing work by Laurie Altman, and nodes by Katharina Rosenberger

Location: Studio6

EXPATS!
a concert organized by IGNM BERN

And with music by Richard Barret, Ricardo Eizirik, and Nemanja Radivojevic, u.a.

Location: New Music On the Point

A portrait concert featuring la chasse, five faville, E.E.Cummings Miniatures
performed by New Music On the Point faculty and students.

Location: Gare du Nord

World premier of Bögen for four hand piano and coordinated movements.
The concert features a dozen of newly composed pieces all circling around György Kurtág's Játétok.

Location: Angel City Brewery

M.A.R.S. Festival

M.A.R.S. Electric featuring music by Charles Peck, Saad Haddad, Alyssa Weinberg, and Jorge Sanchez-Chiong.

http://www.festivalmars.com/

Location: Atlas Theater, University of Colorado

New Pendulum Music Series

World premier of multichannel electro-acoustic work flowchart_1,and wonderful interpretation of ahom for solo piano by Hsing-ay Hsu.

For more information: https://www.colorado.edu/pendulum-new-music/

Location: Gare du Nord, Basel

PlanetBACH, Swiss Chamber Concerts

And with music by Johann Sebastian Bach and Amadeus Mozart.

Location: Conservatoire de Genève

PlanetBACH, Swiss Chamber Concerts

And with music by Johann Sebastian Bach and Amadeus Mozart.

Location: Conservatorio della Svizzera Italiana

PlanetBACH, Swiss Chamber Concerts

And with music by Johann Sebastian Bach and Amadeus Mozart.

Location: Experimental Theatre, Conrad Prebys Music Center

Site specific concert for 6 a capella voices.
In collaboration with Ludger Engels, staging, choreography.

Location: Conrad Prebys Concert Hall

Location: Kunstquartier Bethanien

Klangwerkstatt

And further works by Jannik Giger, Stefan Keller, Ricardo S.Eizirik.

Carlsbad Music Festival

And works by Michael Finnissy, Richard Valittuto, Chaya Czernowin, Amy Beth Kirsten, and Thomas Adès.

Location: L’Eglise Notre-Dame à Saint Père

La Cité de la Voix

tempi agitati (excerpts) and music by Karlheinz Stockhausen and Evis Sammoutis.

Location: SeaM, Bauhaus University

No-LIMITS Festival für Elektroakustische Musik

featuring music u.a. by Caroline Miller, Teresa Carrasco.

Location: Kino Apollo

une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco,   Comagnie BINºOCULAIRE, and Ensemble ö!

if they bite with all their might is written for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.

Location: Ancienne Couronne

une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco,   Comagnie BINºOCULAIRE, and Ensemble ö!

if they bite with all their might is written for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.

Location: Kunstraum Walcheturm

une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco,   Comagnie BINºOCULAIRE, and Ensemble ö!

Worldpremier of if they bite with all their might for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.

Location: Erarta Museum

Festival reMusik

And works by Jannik Giger, Michael Wertmüller, Michael Petzel, Stefan Keller, Enno Poppe, Mehdi Hosseini.

Location: Los Angeles City College

Schubert Resonances

And works by Kevin Kelly, Richard Valittuto, Chaya Czernowin, Morton Feldman, and Franz Schubert.

Location: Stanzerei

Numu Concert Series

Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24  for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)

Location: Conservatoire de Lausanne

Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24  for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)

Felicja Blumental Festival

Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24  for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)

Location: Stiftskirche

Site specific concert for 6 a capella voices.
In collaboration with Ludger Engels, staging, choreography.

Location: Gare du Nord

a concert with music by Jean-Luc Darbellay, Claire-Melanie Sinnhuber, Ashkan Behzadi, Beat Furrer, Michael Jarrell, and Katharina Rosenberger.

Location: Fondation l'Abri

A concert with music by Jean-Luc Darbellay, Claire-Melanie Sinnhuber, Ashkan Behzadi, Beat Furrer, Michael Jarrell, and Katharina Rosenberger.

Location: KKL Concert Hall

Surround orchestra, featuring Yaron Deutsch and Maurizio Grandinetti on e-guitars on the side galleries, with a wind quartet (ob, cl, t-sax, trp) and percussion on the balcony.
Under the direction of Steven Sloane.

Location: Beta Level, Chinatown

And more fine music by Kurt Isaacson, Weston Olencki, Tomothy McCormack, Katherine Young, Nicholas Deyoe, and Matt Barbier.

Location: Centre Henri Pousseur

Festival Image Sonore

curated by Ine Vanoeveren

www.images-sonores.be

Location: Eastman School of Music

Location: Kleiner Wasserspeicher, Prenzlauerberg

Opening, September 3, 6pm
on view Thu to Sun, 2pm to 7pm

see also www.vivavoce.ch

Location: Christuskirche

Portrait Konzert Katharina Rosenberger

Upon the invitation of the Hannoverischen Gesellschaft für Neue Musik, curated by Margit Kern.

Location: CPMDT Geneva

As part of the conference "La direction d'orchestre au prisme du genre".

Location: Italian Cultural Institute of San Francisco

with works by
Meris Angioletti / Alessandro Cardinale / Zoè Gruni /
Laura Riboli / Matteo Vinti

a show co-curated by Katharina Rosenbeger, Anna Dusi, Maria Francesca Palmerio. 

Location: Cheyenne Central High School Auditorium

LCCC Foundation Concert

Location: Gare du Nord

Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24  for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)

Location: University of Florida

Florida Contemporary Music Festival

Featuring the acoustic and electro-acoustic works of Daniel Kellogg and Katharina Rosenberger

Unerhörte Musik

Location: Schloss Werdenberg

SCHLOSSMEDIALE WERDENBERG
Das Ewig Weibliche

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: UCSD Conrad Prebys Concert Hall

Location: Temple Allemande

with Vokal Solistenensemble Voc_4:
Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano)
Christa Wenger (Licht)
Ric Schachtebeck (Choreographie)
Katharina Rosenberger (Composition, Concept)
Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: UCSD Experimental Theatre
SPRING FEST 2014

Location: Schlosskirche Pforzheim

Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate  humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).

Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari. 

Location: Eglise St. Foy

Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).

Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari. 

Location: Gare du Nord

Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).

Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari. 

Location: Gare du Nord
Journées Contemporaines

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: Stadthaus Zürich

Klangraum - Raumklang
an initiative by Musikpodium Zürich

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: Kreuzgang, Grossmünster

Klangraum - Raumklang
an initiative by Musikpodium Zürich

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: Arne-Jacobsen-Foyer, Herrenhäuser Gärten
KunstFestSpiele Herrenhausen

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

www.http://madrigali-notturni.krosenberger.ch/